This is my granddaughter Myrtle on her 4th birthday in 1985even though the story arises from my 4th birthday.
Just goes to show how important that birthday is to little girls!
Fourth Birthday
When I was a four years old, my parents decided that I must have a piano. In those days (1925), pianos were almost as ubiquitous as TVs are today, at least in middle-class households. My parents bought a little honey-colored Baldwin studio upright . As soon as it was delivered and installed in the living room of our four-room (plus sleeping porch) house, Mother sat down to play it. She could read music inexpertly, but she had one “show-off piece”: Ethelbert Nevin’s Welcome, Sweet Springtime, known at that time as an “art song.” She rolled it off with aplomb and many arpeggios, then opened a song book and hesitantly accompanied my father’s rich bass on old college songs.
“But I want to play! It’s my piano,” I reminded them. “And today is MY birthday!
It wasn’t long before I progressed to “Polly, put the kettle on”, but music wasn’t the only attraction of those lessons.
My teacher lived on a steep hillside above the Santa Cruz boardwalk with it’s fancy domed “Casino.” If my Mother and I arrived a little early for a piano lesson - and Mother’s philosophy was that it was only rudimentary politeness to arrive ahead of time - I would be sent to the back garden to play. It sloped steeply from one side of the back fence to the other and even more steeply toward the house. Its stone stairs led upward through ferny banks and mossy terraces and across dry pebbled streams with lacquer-red bridges. Dozens of brightly colored figures lurked throughout the garden: red-hatted elves and winged fairies, raccoons and rabbits and giant green frogs, even flamingos at the edge of a little pond whose goldfish were the only actually living creatures installed in the garden. Paradise for a child!
The Casino at Santa Cruz circa 1900This building burned down and was replaced
by the domed one I describe.
I loved to practice my piano lessons, and, after my required fifteen minutes, to explore the possibilities of the smooth ivory keys. I soon figured out that moving my hands to the right produced higher tones, to the left lower tones. It was only a few weeks before I could use one finger to play the melody of America. “My country, 'this of thee...” My parents were thrilled when I demonstrated it to them. I think they foresaw a future for me as a concert pianist.
