This photo from the window of my bedroomhas the same colors as the tiny scene described in the poem -
except for the silver shining sea.
The poem also refers to an earlier time when my fellow-travelers were my own family, chugging along in our model T. That time is also a precious memory. We always sang as we rode, the melody for the youngest, harmony for my father's rich bass and my mother's and my altos.
Here is my poem about the scene that solidified a random group of fellow-travelers into temporary comradeship:
The great plains lay behind us in the darkness
as our airplane chased the unseen setting sun
obscured by blankets, layer on layer, of cloud.
Still high above Sierra peaks a small rift opened,
a cloud-shored crevasse that pointed west, and through it
a gleaming golden patch, no larger than
a postage stamp (as measured on my window).
Red-gold water reflected hidden sun,
with black cutouts of silhouetted land--
a map of the Bay from delta in the north
to San Jose, Twin Peaks of San Francisco
limned by glint of ocean, all the islands--
Angel, Yerba Buena, Alcatraz--
as clear as letters on a printed page and,
tinier than a mouse’s eyelash, the towers
of the bridges--Bay Bridge, Golden Gate.
As a child I lived within the limits
of that small patch. We drove to San Jose
from Berkeley (in my father’s model T )
almost every Sunday to Grandma’s house
to meet the aunts and uncles, to feast upon
Grandma’s chicken soup with home-made noodles.
We watched the building of the bridges,
took evening picnics to see the cable carriage,
spider-like, spin wire, strand by strand.
Cloud curtains closed our view again, the plane
changed angle, “seat belts fastened, seats upright,
trays in stowed position.” We descended
through billows of blowing mist and saw the runway
only moments before the plane touched down.
Phyllis Sterling Smith, January 13, 2002
